Audiobooks panel at Oxford Brookes and a thorny issue – Cultural Appropriation- my experience

Tonight I’ll be on a panel @ Oxford Brookes University discussing audio books. Catherine O’Brien the CEO of Essential Audiobooks is over here from New York and  will be the principal speaker. I have been asked to give the point of view of an author. I plan to describe my journey to the printed book, the audio book and the amazing voice of Caroline McLaughlin who despite the name is of Chinese ancestry I’ll talk frankly  about  a particular problem the audiobook of Brushstrokes in Time encountered.

I understand and sympathise with the origins of the idea of ‘cultural appropriation’ – when minority voices find it hard to get a hearing but as with acting, I believe that writing and casting should be COLOUR BLIND. I sympathised with British Chinese actors who saw Chinese  parts  which could go to them given to others of another background.  Recently their confidence has grown as Sandra Ho was cast as Eve in Killing Eve and suddenly there are more Chinese actors appearing in non-type cast roles. That’s how it should be!

When I was writing Brushstrokes in Time  at the same time, in Montreal, Madeleine Thien was writing Don’t Say We have Nothing. There are many things our novels have in common: the locations, the Cultural Revolution playing an important part, the muse – in Madeleine’s book it is music and in mine the visual arts. There’s an inter- generational story. I love her book but people who have read it sing the praises of BIT too. The difference between us is  that she is Canadian and I am English and the colour of our skin.

The material in my novel has as much but probably MORE authenticity than hers. Why?

Thanks to Qu Leilei. I interviewed the founder of the Stars Art Movement over three years. Leilei was present in Tiananmen Square in 1966 when Mao launched the Cultural Revolution to over a million teenagers. He was present in Tiananmen Square in 1976 when the people rebelled and mourned ZhouEnlai. He was on the Stars March to Tiananmen Square in 1979. He was present at the trial of Democracy leader Wei Jingsheng. His father Qu Bo was one of the most popular authors pre Cultural Revolution. Madame Mao turned a part of Tracks in the Snowy Forest into her model opera Tiger Mountain  .His father knew  Mao , Zhou  Lin Biao  etc. The stories which form the historical  background  to BiT were unique and authentic.

Agents  told me that  despite BIT being  well written, fascinating and  a  page turner  they wouldn’t be able to sell it as I am NOT Chinese.  Madeleine’s experience was completely different. It was talked about and reviewed by the great and good and was short listed for the Booker Prize.  Surely  what should matter is the quality of the writing and not how the author looks!

 

 

 

Coming up in 2019

Tuesday January 8

Talk to Holton and Waterperry WI in Holton Village Hall at 7.30.
Subject : The Importance of Life Writing and How to Begin

Saturday February 2
Indian Republic Day Celebration
Rose Hill Community Centre 6.30

Thursday February 7
Oxford Brookes University
Audio Books
Sylvia will be on the panel of 4 with Catherine O’Brien chaired by James Harrison (Oxfordfolio)
(Essential Audiobooks recorded Brushstrokes in Time)

Wednesday 13 February 7.30 in the Methodist Church
Kennington WI
Talk : How I castaway 120 inspirational people.
Oxford Castaways 3

Thursday 21 February
South Leigh Village Hall 2.30pm
The Importance of Life Writing and tips on how to begin.

Wednesday March 6
- Sylvia Vetta

The launch of Sculpting the Elephant
The Jam Factory opposite Oxford Station
6.30 -7.30 (Free but please book with Sylvia )
(optional meal in the restaurant afterwards £20 )

Saturday March 16,
7pm @ Kennington Village Centre (OX15PG)
This cabaret style Indian Evening launch of Sculpting the Elephant includes entertainment & a free Indian meal but please bring your own bottle!
(Spaces are limited so please reserve your place)

Thursday 11 April
Talk to Long Hanborough WI
China; the true story behind Brushstrokes in Time
7.30 Village Hall

May-June: Antiques on High (85 the High, Oxford OX14BG)
Many items mentioned in Sculpting the Elephant will be on display and a free leaflet on C20th design titled From Dresser to the Ad Man written by Sylvia will be available in the centre. Dates to be confirmed when Sylvia will be present for discussion and book signing. Click on link for details of May 2 launch etc.

Sculpting the Elephant at Antiques on High

 

Friday June 7  @ 7pm The Friends of Watlington Library: Sculpting the Elephant, Mixed Relationships and Lost Histories

Saturday  June 15 @ Claret Press (Clapham) The London  launch of Sculpting the Elephant.

By |December 30th, 2018|Events|0 Comments

Events ; Speaking Engagements Coming Up in 2018

WI Talks Coming Up in August

How I Castaway 120 people

1) Charlton on Otmoor  Primary School  Tues 14 August 7.30

 2) The Heyfords  The Reading  Room , Upper Heyford  Wednesday 15 August 7.30

Wednesday September 19  @ 4.30

Brushstrokes in Time

China under Mao and what some courage artist did next .

@ Adderbury Library

Saturday 22 September @ Sculpture in the Vineyard  

Bothy Vineyard  Poems in an Exhibition with me and Heather Rosser and  world music from Confluence Collective.c

October

Wednesday October 3  11-12 am

Life -writing session at Kennington Library  with Pamela Allen

October 9 @7.30

Long Wittenham WI 

Thursday  November  8@ 7.30pm: China from 1963-1993

Long Hanborough 

This photograph was taken at the launch of Oxford  Castaways 3 – some of the inspirational people I have had the priviledge  to interview.

One of the last public pictures of Sir Roger Bannister.

 

Saturday December 1 10am-4pm

Oxford Town Hall Green Fair

Book signing and selling

 

 

 

 

A brilliant line up for The Kennington Festival Arts starting with Peggy Seeger. Read my profile feature on her here.

 

The Kennington Festival of Arts kicked off with the memorable Peggy Seeger.

She had the audience in the palm of her hand and her empathy shobe bright. I can recommend First Time Ever .

Many memoirs have too much detail ,this one is perfectly balanced has  narrative drive and is poignantly honest. If you can’t buy the book ro don’t have much time you can read my 300word castaway feature on her life here.

Peggy Seeger

 

 

It kicks off on Friday 20 April @ 7.30pm with Peggy Seeger talking about her book First Time Ever. Her life has been lived at the heart of major world events making her memoir truly MEMORABLE. Tickets @ £5 (in advance) are going fast.

 

Click on the pdf for the full programme for Saturday which includes me talking about China under Mao and what a courageous group of young artists did next. A day ticket in advance £10.

kennington library arts festival. programmpdf

Memories! Korky Paul led our 200 yard Pied Piper Procession. Korky is the Friends (FOKL) Honorary Life President and will help our fundraising on April 21 at Kennington Festival of Arts with a family event aided by Winnie the Witch and Wilbur.
http://www.oxfordmail.co.uk/…/8838230.oxfordshire-library-…/

Qu Leilei: A Chinese Artist in Britain opens this week (Nov 7) at the Ashmolean.

Qu Leilei is a founder of the Stars Art Movement. When he told me his story it inspired me to write Brushstrokes in Time.  Recording the trial of democracy leader Wei Jingsheng (1979) catapulted his life into nightmare. (again) He left China for the UK in 1985. Like most refugees he had to start all over again.  He earned his living as a pavement artist in Piccadilly Circus, washing dishes in Chinese restaurants, cleaning houses and typing translations in Mandarin. Quite a journey to becoming an internationally acknowledged master! The late Michael Sullivan (1916-2013), who founded the gallery on the ground floor of the Ashmolean where the exhibition takes place, said of Qu Leilei: “What sets Leilei apart is the strength and depth of his feelings for people his warm heart, his generosity that sees the essential nobility of us all.”  We need a lot more of that spirit! You can read his castaway feature here. I tell it as 9 lives!   Qu Leilei Castaway

Leilei is not the only Chinese artist with connections to Oxford.  Brushstrokes in Time OLE

Qu Leilei’s castaway feature (Oxford Castaways 3)  has been translated into Mandarin.  Read it here.

https://mp.weixin.qq.com/sbiz=MzA4MzY1Njg0Nw==&tempkey=OTMxX3pYMjdhVzJ0SDNKUHBRcGRpM0lIUG5pLUdad2xud29GRXRoM19IN3ZEcFVJd3J5Z2l1VFJ2bE1KSkJfa09qR2RTcUZoUnpKaG1rRjNXX2wxQzd4M1FrZHI4WHBTMGtZUmRVUUVkZTZrcGxZQWJnMVVPX3hzSkI2Q3BLdENfdjZaZmNPNHZqTnNHVWdjVEUwek40eVhDVFFUUU9rVlhUV0tZMGh4VVF%2Bfg%3D%3D&chksm=07ec4c84309bc5927faf588b078e6f40b922f01c4ec5f46eb7d195dbd8cdcbd2e6c40ca5319c#rd

Qu Leilei feature in Mandarin

Below are 2 of the paintings  from the exhibition

.Qu-Leile new exhibition           leilei 80s

Poems in an Exhibition : An accidental but delightful celebration of diversity in aid of Standing Voice.

Oxfordfolio are sending ‘Poems in an Exhibition’ to the printers today. Hatred of the ‘other’ has been rearing its ugly head everywhere. ‘Poems in an Exhibition’ has accidentally become a celebration of diversity. The backgrounds of the poets and artists who have contributed to this anthology are wondrously diverse. The youngest is 18 and the oldest 93. They were born in 4 continents, represent most religions and have every shade of skin of colour. But there is unity in our diversity. We sing under the same book cover! Our poems are inspired by a visual image and most of the poets ( &2 artists)ended up in Oxford or regularly come here. We have come together in support of Standing Voice.  I encountered this young human rights charity when my village raised the funds for a skin care clinic for people with albinism in Tanzania who dying of skin cancer before the age of 35 ( Easily preventable! )  My journey to this anthology was inspired by the documentary Standing Voice made for BBC titled ‘Born too White’ and I wrote a poem with that title inspired by a special young man. The book will be launched on November 30 in the Old Library in the University Church of St Mary the Virgin. It was the university library before the Bodleian.

Many of the poets are awarding winning. I am honoured to have poems side by side with theirs.

SYLVIA VETTA Tate St Ives…………………………………………

JENNY LEWIS The Rosewater Basin………………………….

SIMON ALTMANN Hands……………………………………….

SHAKIRA MORAR The Cracked Jug………………………..

SUDEEP SEN Jacket on a Chair………………………………….

DAVID OLSEN Migrant Mother………………………………..

HEATHER ROSSER The Bronze Chalice……………………

DWINA GIBB My Songbird Has Flown……………………..

SIMON ALTMANN Potsdamer Platz ……………………….

SYLVIA VETTA The Mists of Dao ……………………………..

ARABELLA CURRIE First Light………………………………..

PENNY BOXALL The Wheelwrights…………………………

EUTON DALEY In Emergency – Break Glass…………….

ADNAN AL-SAYEGH Extract from Uruk’s Anthem….

 

And finally   ….  Born Too White

To buy copies of Oxford Castaways 2
Go to
http://www.oxfordfolio.co.uk
and click on the cover image.