The Third Oxford Indie Book Fair Nov 26 11am-4pm
At Oxib tomorrow, I’ll talk about and sign copies of my just published memoir Food of Love Cooking up a life through gender class and race. It’s received great endorsements from the journalist , Yasmin Alibhai Brown, the historian and broadcaster ,Rana Mitte , the internationally known poet Sudeep Sen, the artist Diana Bell and the academic and author Prof Jane Spiro.
https://www.oxfordindiebookfair.co.uk/whats-on/ for all 5 talks and performances.
The Oxford Mail feature about the fair includes pics from April https://www.oxfordmail.co.uk/news/23148540.oxford-indie-book-fair-environmental-theme/
I’ll bring copies of Brushstrokes in Time the only major book which tells the story of the courageous Stars artists. I invented a fictional artist to make the novel a page turner but the background to the story is true events. Listen to the artists I interviewed over 3 years on this trailer .
Trailer link: https://www.youtube.com/watch?v=WfRCHgk2YR8
Let’s celebrate courage. We are seeing amazing courage from the women of Iran . These artists needed courage too.
The photo below is of Chi Xiaoning who filmed the events of 1979- seen here on top of the Democracy Wall – yes there was one!
That film has been found is the basis of Beijing Spring . The Chief Foreign Correspondent of the Guardian , John Gittings endorsed Brushstrokes in Time.
He emailed me from Hong Kong . They are currently showing it in the Museum of Modern art -interesting!
My advice, in Food of Love, to ‘expect the unexpected’ was inspired by a shark in a roof
In the ‘Appetiser’ to my memoir Food of Love: Cooking up a life across Gender, Class and Race, I include a photograph of an unusual sculpture being placed in a roof in Headington. I only give two pieces of advice in my book and one is inspired by the Headington Shark. That is ‘to expect the unexpected’. I had the privilege of casting away, on my imagined island of Oxtopia, both the artist who made it, John Buckley, and the owner of the house, Bill Heine. Bill Heine’s son Marcus now owns it and is in this youtube video summarises what happened.
Bill was a presenter on Radio Oxford and was able to invite on guest presenters. He invited me on and, several times, asked me to review the papers on a Sunday as well as interviewed me on subjects as diverse as libraries and overseas aid. The question then was, ‘Should Charity begin at home?’ prompted by a local UKIP politician campaigning against our meagre overseas aid budget. I agreed that charity should BEGIN at home but asserted that it shouldn’t END there. Love should not be stoppered in a bottle but should flow like a river which grows bigger as it makes its way to the sea. What I didn’t say then is that our wealth was built on the profits of the trans- Atlantic slave trade and from our opium trade in the East. That too was triangular and the result of compelling Bengali farmers to grow opium instead of food crops was famine in Bengal.
Bill’s castaway choice of object was another John Buckley sculpture titled Embrace See pic below. Their aim with this sculpture was to put it on the Berlin Wall but that came down. When I saw it, I suggested they put it on the Belfast Wall and wrote this poem about it.
Embrace by Sylvia Vetta
Joined at the hip; you have tasted the apple.
whatever the tension, whatever the pain
Be bound -wrapped around -inseparable.
In tender embrace you struggle.
you ask why and how you became
joined at the hip; you have tasted the apple.
From different communities you blame
the other, you fight, you cry, you soften,
you are bound – wrapped around -inseparable.
One from the church; the other the chapel.
A fateful kiss and God willing amen
joined at the hip; you have tasted the apple.
With distrust and hate you wrestle
as your bindings stiffen.
You are bound – wrapped around – inseparable.
Stand upon the wall and be a symbol.
Bask in sun, survive the rain and remain,
joined at the hip; you have tasted the apple.
Be bound – wrapped around – inseparable.
John is a much underestimated artist so I was glad to celebrate him in Oxford Castaways . Here is his story
In April he was a speaker at the Oxford Indie Book Fair .
The next fair is on November 26. Here is the speaker list. I’ll be talking Memoir with Ray Foulk who stole Dylan from Woodstock which also led Ray to meet the Beatles .
and my publisher’s CeO Katie Isbester about the memoirs and memoir inspired books they have published.
Love, laughter and wisdom at the launch of Food of Love: cooking up a life across gender,class and race.
At the public launch of Food of Love at the Old Fire Station last night we discussed Gender, Class & Race. The panel of speakers were able to speak from decades of experience and from the heart.
Junie James of the Africa, Caribbean Cultural Initiative arrived in the UK aged 6. On her first day at school, she had her identity removed, when her teacher refused to let her be called Junie. She was renamed on the register as June. Chinta Kallie was born in Apartheid South Africa – a third class citizen after whites and coloureds but above black people. While class in the UK is not so stratified, it is still engrained in our society. The nearest thing to Apartheid, I knew of in Oxford was the Cutteslow Wall. When a council estate was built in North Oxford, the construction companies building adjacent private houses constructed a wall to isolate the estate. I interviewed Christine Ravenscroft who grew up there during WW2. She described how Canadians were stationed nearby and one of their tanks accidentally got lost and knocked it down but the Council built it up again.
Rev. Dr. Canon Charlotte Bannister Parker has brought together faith communities in Oxford with love and respect. I was overwhelmed when she said that what she took away from my memoir was ‘love’.
The event took place in the Old Fire Station – a remarkable place. It is the home to 2 organisations Crisis for homeless people and an Arts Centre that is for EVERYONE including the homeless. The café is run by Babylon Rose – a group of Syrian refugees. I concluded that with Food comes Love and with Love comes Hope. I suggested that Nuha and her team serving their cuisine would experience a sense of belonging.
Charlotte liked my invented word. Shakespeare and Donne invented over a 1000 so I invented one, ‘Communessence’. To me, it means that when you eat together you come together. Charlotte says she will use it in her next sermon in the University Church .
There was a lot of love and laughter at the first launch in my village That was the one for family, old friends and people who had contributed to the book including the CeO of Claret Press . In many ways Food of Love was crafted by Katie Isbester who edited it.
We cooked and served some of the recipes in my book .At the end of each chapter is a recipe provided by family members and friends. Starting with my mother’s scones but becoming ever more diverse reflecting the enrichment of our culture due to immigration. Behind us is the restricted diet of the fifties. Now we can taste the world and relish it. I don’t understand Little Englanders who want to box us in . Our culture is better than that . When we embrace diversity we expand our outlook and become less afraid and more optimistic.
Finally demolishing the Cutteslow wall but invisible barriers all over the country remain between Council estates and private housing . Class in bricks and mortar.
Given the rumours re Xi Jinping, the praised Brushstrokes in Time is a must read !
Taking a genuine interest in China has never been more important to the future of the world in the twenty first century. It’s a mistake to stereotype the country and a mistake to ignore it. Rumours of a coup are just that -RUMOURS. Mao went swimming in the Yangtze and waited and waited. He watched as some debated the issues that were damaging the country and then he returned started the Cultural Revolution and purged his critics including Deng Xiaoping. This could be a repeat of that or maybe not because there is huge frustration in China over Covid restrictions and there are stresses on the economy.
Brushstrokes in Time is an enjoyable read –a page turner but it is set against REAL events so at the end you will be surprised how much you know about China. It’s a fictional memoir of Chinese artist Little Winter, who tries to re-establish the bond with her American daughter, telling the story of her emotional and rebellious past. While growing up in China, Little Winter discovers talent and rebellion, joining ‘The Stars’ art movement for freedom of speech in an era where self-expression and love were a dangerous act. Filmmaker Andy Cohen found 40 minutes of contemporary film about the Stars. (1979) Watch the trailer on this link. https://www.beijingspringfilm.com/
Praise for Brushstrokes in Time
Former chief foreign correspondent of the Guardian, China expert, John Gittings, read it determined to find fault but says that he failed and that “Vetta is always accurate with a grasp of vivid detail.”
The internationally respected poet, Dr Jenny Lewis says, “For me, it has to be among my top ten historical novels, certainly of this century. Utterly mesmerising and unforgettable.”
Dr. Maria Jaschok who lived in China between 1980-1996 says, “Moving but never mawkish, informed yet entirely accessible.’
Lady Moyra Bannister: “Utterly brilliant.”
Among the 72 mostly 5 star reviews on Amazon all of which testify to a GOOD READ Ray Foulk the author of Stealing Dylan from Woodstock,
“I haven’t done much work today because I could not put this page-turner down. As I reached the end just one thought dominated: everyone should read this book. No one I’ve ever come across has managed to tell the story of modern Chinese politics, arts and society in so accessible, imaginative and compelling a fashion.”
Dr Joy Zhang University of Kent China Studies made three short video interviews with Sylvia on why she was so passionate about letting the world know about the courageous Stars Artists, who included Ai Weiwei
https://www.facebook.com/TheMeridianSociety/videos/1141067562675489/
https://www.facebook.com/TheMeridianSociety/videos/1141567299292182/
https://www.facebook.com/TheMeridianSociety/videos/1147685558680356/
Sylvia introduces Beijing Spring in this magazine article.
My friend Weimin He’s highly recommended online workshops
Weimin says
‘I spent an hour and a half in the print room to study Raphael’s original drawing. I tried to draw the same size as the original and I presume Raphael might have spent no more than 1.5 hours to complete the two portraits and the two pair of hands. It was not an easy task to draw this great work in such limited time and this was my second attempt. I’ll do an online workshop to analyse the techniques of Raphael’s masterpiece. Next week I will work on Michelangelo’s drawings, on 3rd March will draw Rubens. There should be a few places available. If you or your friends are interested please click the links below.
“Principles of Drawing” by Weimin He
17 Feb/ 24 Feb/3rd Mar
https://www.ashmolean.org/…/the-principles-of-drawing…
https://www.ashmolean.org/…/principles-of-drawing-24…
https://www.ashmolean.org/…/principles-of-drawing-3-march
I’m privileged because Weimin not only provided the cover illustration for Oxford Castaways and Poems in an Exhibition but also sketched me and numerous events I have been involved in . Here are some of them:
Above Some of my family at the launch of Sculpting the Elephant
Below Compering the launch of Ray Foulks’s Stealing Dylan from Woodstock
The Shakespeare in Oxford Project I organised with Victor Glynn and Polly Biswas Gladwin
The wonderful Peggy Seeger at the Fifties Fandango Gala Night I organised for KOA
Weimin’s calligraphy and Peggy’s!
Below This sketch of a Koro player was made at Dai Richards photography exhibition on behalf of Asylum Welcome . Fabulous ….
The Food of Love. Cooking up a Life …coming soon
Gosh .. Claret Press has started to promote my memoir!
Do you like the cover?
Writing the lives of the 118 Oxford castaways and the fictional memoir of artist Little Winter in Brushstrokes in Time made me start work on my own. I want to tell the untold story of white women like me who married men of colour – when that was hard. That’s why Claret Press wanted to publish it. At a time of partisan hostility on public platforms leading to a lack of trust, I hope my perspective can add a spoonful of kindness along with the recipes from family and friends at the end of chapters. They are a sensual expression of Britain at its best when it relishes diversity .
Thank you Weimin He for your delightful caricature of me which is on the cover.
#food#class#gender#race
To buy copies of Oxford Castaways 2
Go to
http://www.oxfordfolio.co.uk
and click on the cover image.