Current of Death out as an Ebook!
My first novel Brushstrokes in Time is set in China and the USA, Not so Black and White (with Nancy Mudenyo Hunt) is located in London and west Kenya and Sculpting the Elephant in Oxford and India. My fourth novel, launched this week as an eBook, couldn’t be closer to home. It’s set in the village where I live one and a half miles from Carfax at the heart of Oxford. Flowing through the city to Iffley, Kennington, Sandford , Radley and Abingdon is the River Thames. Its beauty and force of nature flows through the narrative.
A few reviews of CURRENT of DEATH
Peter Tickler: Author of The Oxford Murders
Dodgy goings-on, slippery developers, slavery, and Extinction Rebellion all feature in this crime novel in which Sylvia’s passion for her home village shines through.
John Argyle: Chairman of the Friends of Kennington Library and volunteer lock keeper.
A gripping murder mystery set on the River Thames, Current of Death might be a first venture into the crime genre from a very talented writer, but I hope that it isn’t the last.
AndyFFrench of the Oxford Mail
‘Sylvia Vetta has been exploring Oxford’s waterways for many years so she is perfectly placed to imagine dark deeds in a village she knows well.’
Andy knows that because I have written up family river walks for his paper. This one passes key places in Current of Death. It has pictures!
https://www.oxfordmail.co.uk/news/19452310.enjoy-circular-family-walk-around-kennington-sandford/
My main characters are more diverse that is usual in the genre. I do hope you like them. If you do, I have a sequel in mind! Please let me know.The print preview has arrived.
The first launch will be at the Oxford Indie Book Fair which I help organize. It is proving popular so we have moved to bigger premises the Oxford University Examination Schools. That means we have doubled in size. (See Exhibitor Directory on the website.)#oxfordindiebookfair https://www.oxfordindiebookfair.co.uk
The fair will be opened by the inspirational new Vice Chancellor, Professor Irene Tracey CBE FRS BMedSci, who grew up and was educated in the large village of Kidlington to the north of Oxford. With the exception of a few years at Harvard Medical School, she has spent her career in Oxford. She was Warden of Merton College from 2019-22 and is also Professor of Anaesthetic Neuroscience in the Nuffield Department of Clinical Neurosciences.
Here is a pic of where I will launch the paperback. DO COME –Its free and fun and in a fascinating building. Something for all ages including lots for families, fiction, non- fiction ,poetry, illustration, comics , free talks and more.
The Friends of Kennington Library have an entertaining Murder Mystery Event to launch it in the village
See poster.Murder Mystery
Oxib@The Oxford Festival of the Arts: See you on July 16?
The way to the festival Marquee
Oxib@The Oxford Festival of the Arts: See you there?
The Oxford Festival of the Arts is underway. https://artsfestivaloxford.org/
The murals were magnificent stupendous unforgettable!
https://artsfestivaloxford.org/events/luxmuralis-the-story-of-the-renaissance/
If you have the opportunity to experience it elsewhere, it’s worth it.
The final day Sunday July 16: 11-4pm is a free community family event
https://artsfestivaloxford.org/events/stories-festival-family-and-community-day/
oxib has 25 stands in the grand marquee. See this link for a list of our exhibitors and what they do. https://artsfestivaloxford.org/events/stories-festival-family-and-community-day/
We will also host two poetry slams
The Poetry Table will showcase work by local poets including David Burridge, John Daniels, Lucy Ingrams, Jennifer McGowan, Kathleen McPhilemy, Merryn Williams and Dorothy Yamamoto.
11.30- 11.50. am. Poetry Slam compered by Kathleen Mc Philemy of Poetry Worth Hearing
https://podcasters.spotify.com/pod/show/kathleen-mcphilemy features poets from Oxfordshire and further afield.
1 Lucy Ingrams
2 John Daniels
3 Jennifer McGowan
4 Kathleen McPhilemy
Open Mike
SAVE THE DATE
Our annual Book Fair will be bigger and better
Sunday November 26 11am -4pm
2pm- 2.30pm: Poetry Slam compered by Sylvia Vetta of Poems in an Exhibition
1 Merryn Williams
2 David Burridge
3 Dorothy Yamamoto
4 Oxford Poetry Library
Where is the Marquee?
Its in Magdalen College School grounds beside the bridge . Here is my artist friend Weimin He’s impression of the view.
SAVE THE DATE
Our annual Book Fair will be bigger and better
Sunday November 26 11am -4pm
The Oxford Festival of the Arts final event. I’ll be there. A date for your diary July 16 11am -4pm?
A date for your diary? July 16 11am -4pm.
OXIB is in its third year so we are considering expanding and adapting. We’ll have 25 tables in the marquee at the last event of the Oxford Festival of the Arts in the grounds of Magdalen College School. Oxford OX4 1DZ. The entrance to the grounds will be from the Plain end of Magdalen Bridge.
The artist Weimin He has spoken and exhibited at the Indie Book Fair. This is his impression of the view of Magdalen College from the school .
https://artsfestivaloxford.org/ The full programme for the community event on Sunday July 16 has not yet be finalised. When it has, full details will be on their website and on our website .https://www.oxfordindiebookfair.co.uk
Entry is free & it’s a beautiful site to picnic near the Thames, has a tea tent and children’s activities including interaction with Waterperry Opera and the Story Museum. Oxib will have a children’s storytelling corner and will organise a poetry slam.
You will meet a wonderful variety of authors, illustrators and publishers .
Sylvia Vetta: Oxib organiser, author, freelance writer and speaker.
2 Ray Foulk: Oxib organiser, green architect and author.
3 Claret Press: Publisher
4 Oxfordfolio/ Anglepoise Books : Publisher
5 Oxford ebooks: Publisher. They will be giving away books if you click on their website on the day.
6 Oxford Children’s Book Group with Bella Pearson
7 Oxford Poetry Library
8 Environmental Oxford: Stanislav Shmelev
9 Elisabeth Hallett: author of Mouse-wolf, a story set in Beijing.
10 Liz Woolley: Local historian
11 Clive Goddard: Humorous award winning children’s writer
12 Peter Tickler: Crime fiction writer. Peter’s books are set in East Oxford
13 Mario Cuello: OUP book illustrator
14 Dice Comics
15 Emily Gale: Children’s author
16 Fil Reid: Historical fiction
17 Mirjam Vanderven
18 Janet Hancock: Historical fiction
19 Dylan Brenan: fantasy fiction
20 Diana Bell: public artist, poet, author & illustrator of Nature Unlocked
21The Nasio Trust: Not so Black and White, Green Power the Spirulina Cookbook and library appeal .
22 John Mair: Bitesize books including books set in Jericho & about Morse etc.
23 Stanza Poetry Group
On July 16 we’ll have news of our annual November Fair. We hope this popular event will be larger in 2023, so we can open it to new exhibitors.
There are lovely walks to enjoy in the area. Here is another Oxford painting by Weimin He. It hangs in the Vice Chancellor’s office.
The way to the Marquee
Food for Thought and Crossing Cultures@ the Nehru Centre
On Wednesday, the London Launch of Food of Love, cooking up a life across gender, class and race was in the Nehru Centre (The Indian High Commission) in Mayfair .
I was assisted by the delightful actor/singer Kamal Khan. His family saga crosses 4 continents. Kamal is adept at connecting cultures. He played Tony in West Story for the National Youth Theatre and has played Romeo too. His performance of this song by Elvis was enthusiastically received by the audience on Wednesday. He is accompanied by tabla and other non-western instruments. https://youtu.be/jnQj_DumSDA
Kamal has the biggest ‘South Asian’ inspired radio station in LA. In Hollywood, he has, unsurprisingly, played lots of medics but he recently had a non-stereotyped lead role in a No 1 Netflix hit. His English accent helped.
http://voyagela.com/interview/meet-kamal-khan-iamkamalkhan-downtown/
Kamal has recorded the audiobook of Sculpting the Elephant and we want to have an international zoom launch at the end of June. He’s brilliant at all the voices, Indian, British and American. Who better to read Gangabharti – the intriguing Bollywood backing singer in the novel!
Retired CEO Karin Stoeker was in the audience & not in the least bit biased! She emailed,
“I wanted you to know I thought you were fabulous!! Great presentation, and lots of food for thought!’
Attending the launch was the talented Indian artist Bharti Jain. She has an exhibition currently at the High Commission. I love her sensual and elegant paintings and took a pic in front of one of them.
The pic behind Katie Isbester, the Canadian CEO of Claret Press is of the Headington Shark (Oxford). To me it means ‘expect the unexpected’. Katie also has a transplant story to tell.
My Madras Courier feature on the effects of Braverman’s fear-mongering rhetoric
I’ve been distressed by the fear-mongering in Suella Braverman’s rhetoric with regard to asylum seekers. When the Madras Courier asked me to write on the topic I jumped at the chance. I have pasted the copy below so you don’t need to subscribe to read it. But the MC is not expensive and is an interesting publication.
It’s an editor’s prerogative to make the titles. I don’t believe that Sunak is ‘inept and incompetent’. He’s stabilised the economy and has been adept handling the Northern Ireland Protocol. But his and Braverman’s immigration policy is indeed cruel .
History Repeating Itself by Sylvia Vetta
Listening to the fearmongering of British Home Secretary Suella Braverman, supported by Prime Minister Rishi Sunak, I have entered a dismal time warp to distressing experiences back to the 1960s.
The steel factories of the West Midlands had recruited migrant workers – mainly Punjabis. While teaching their children English, I witnessed the growing poisoning of the atmosphere by self-seeking politicians, and the fear it created in small children.
Smethwick in the Midlands had been a safe Labour seat and the sitting MP, Patrick Gordon Walker, was expected to be the Foreign Secretary should Labour win the 1964 election. Gordon Walker had exiled Seretse Khama for marrying a white woman, the courageous Ruth Williams, so was not the right man to fight a racist campaign. Peter Griffiths became the Tory candidate and, given the Labour candidate of Gordon Walker, knew he would be on to a winner if he campaigned on just one issue: race and immigration.
You couldn’t live or work in the borough without hearing the slogan, If you want a ni**er for a neighbour vote Labour. Don Finney, a Conservative councillor and supporter of Peter Griffiths, was reported saying, ‘I had a wonderful fortnight’s holiday. Did not see a single ni**er!’
In 2023, Suella and Rishi make their sentiments equally plain when it comes to asylum seekers risking their lives trying to get here in boats. They would feel happy if they saw no more! I’m sorry to quote those disgusting remarks, including the ‘n’ word, but without them, it is hard to communicate that vicious atmosphere in Smethwick. Unsurprisingly, the vile propaganda provoked violence. Petrol bombs were thrown into an Indian shop. Houses where Indian immigrants lived had windows smashed. These incidents were not condemned by Peter Griffiths. I met my Indian-born husband, Dr Atam Vetta, and was spat upon while walking down the street beside him.
I can quote the racist incidents and the fearmongering which led to them thanks to Dr Dhani Prem. He kept a meticulous record of the events leading up to Griffith’s victory in the 1964 election and privately published The Parliamentary Leper (Colour and British Politics) in 1965 and gave us a signed copy.
Peter Griffiths won than seat and, after the election, Harold Wilson did something unprecedented. He made a speech attacking the new MP. The parliamentary correspondent, Preston Witts, wrote about Harold Wilson,
‘He had a knack of making statements containing phrases that have lived on well beyond his own time, such as the “parliamentary leper”’
On November 4.1964, Atam wrote to me, ‘Who would think of a leper! Wilson has finished Griffiths and this wretched creature will never be able to rise in the Tory Party.’
I was teaching in Handsworth when, on 20 April, 1968, Enoch Powell, used scare stories to demonise minorities and delivered what became known as ‘the rivers of blood speech’. Here is an extract…
For these dangerous and divisive elements [immigrants, in particular the Sikhs], the legislation proposed in the Race Relations Bill is the very pabulum they need to flourish. Here is the means of showing that the immigrant communities can organise to consolidate their members, to agitate and campaign against their fellow citizens, and to overawe and dominate the rest with the legal weapons which the ignorant and the ill-informed have provided. As I look ahead, I am filled with foreboding; like the Roman, I seem to see “the River Tiber foaming with much blood.”
Within two days that speech affected my class. The children had previously played together in a colour-blind manner. Their innocence was lost, presumably because of what parents said to them, comments on the street and newspaper headlines. I walked into the playground to see the white children at one end and the darker skinned at the other.
Most of my life, I’ve been an optimist rooted in reality. I managed to find hope when Andrew Faulds replaced Gordon Walker as the Labour candidate. A Shakespearean actor, Andrew was a principled man with not a racist bone in his body. Edward Heath became leader of the Conservative Party and refused to have Powell in his cabinet so that Powell left to join the Ulster Unionists. Heath’s stand was not appreciated by many in his party but he too was a principled politician.
As a society we have progressed slowly and I felt that we were heading in the right direction, even if at snail’s pace. Our society has changed. In 2023, both our Prime Minister and Home Secretary are of Indian ancestry and our Foreign Secretary is of African ancestry. Given their origins, you would think they would champion immigrants. Instead, through their fearmongering rhetoric against illegal immigrants, they identify with the attitudes of the narrowest of tribes: the extreme right wing of the Conservative party.
My memoir Food of Love: Cooking Up a Life through Gender, Class and Race has recently been published. The London launch will be on April 26 at6:30pm at the Nehru Centre. When I wrote it, I did not believe our politicians would return to the hate speech that led to the attacks in the sixties. I ended it on a note of hope. Sadly that hope has escaped me. Justified in their eyes by the home secretary’s demonising of the boat people, racists are attacking hotels housing asylum seekers. These refugees have no voice and are already traumatised.
My husband and most South Asian immigrants would not have come to the UK if we had not partitioned India. It was ethnic cleansing on a vast scale. That’s why the immigrants who responded to the offer of jobs in heavy industry in the Midlands were mostly from the divided Punjab.
If we hadn’t invaded Iraq or stayed so long in Afghanistan, the numbers leaving traumatic situations would be far less. We need to assume some of the responsibility for their desperate situations. Given the chance, the British public can be generous and welcoming. Indeed, the Asylum Welcome movement is active almost everywhere in the country. Suella and Rishi, however, do not want us to open our hearts and minds to the desperate.
I met Atam in Smethwick. Graham Newis on the left told me that Atam wanted to start a multi racial youth club to diffuse prejudice. ‘Would I help?’ I’m second on right .
An exhibition for our time. Qu Leilei and Caroline Deane’ Calligraphy Forest of Misinformation.
I went to London to see Qu Leilei and his partner Caroline Deane’s exhibition Calligraphy Forest of Misinformation. It was a moving experience. It was originally shown in Milan and is inspired by a phenomenon of our time
The most blatant example of Truth being called False is Donald Trump’s constant calling facts ‘False News’. This lying is not new (See quote from the Red Mansion) but its impact is felt more because of social media. Leilei and Caroline use calligraphy in ancient styles and highlight distortions of the truth.
This example where I am standing with Leilei is the calligraphy for TRUTH except it is turned upside down.
Caroline and Leilei invited us to write our thoughts. I wrote SAT NAM the Sanskrit word at the heart of Sikhism. It means TRUTH – above all Truth. I quoted Keats ‘Beauty is truth, truth beauty, – that is all ye know on earth, and all ye need to know. Conversely, denying the truth is ugly because it involves distortion and destruction.
I met Qu Leilei when I reviewed his exhibition at the Ashmolean. Everyone’s Life is an Epic was to have a life changing effect on me. It led to 5 years of work, interviewing Qu Leilei and other Stars artists, researching visiting China and then writing Brushstrokes in Time. A desire to tell the untold story of the courageous Stars artist led me to become a novelist. I wanted readers to know what it felt like- as well as the facts- a way of living the truth. Here is a short feature by me about the Stars artists and their brief Beijing Spring . It has a trailer to the film and includes Ai Weiwei and Leilei’s voice in English.
Leilei talking about art
In my memoir Food of Love , I have used this picture of Caroline and I in Beijing with Leilei’s mother when I was researching for Brushstrokes in Time.
If you want to know more of Leilei’s inspirational story I describe it as 9 lives in this profile feature. Qu Leilei Castaway
To buy copies of Oxford Castaways 2
Go to
http://www.oxfordfolio.co.uk
and click on the cover image.