The Oxford Festival of the Arts final event. I’ll be there. A date for your diary July 16 11am -4pm?  

 

A date for your diary?  July 16 11am -4pm.  

OXIB is in its third year so we are considering expanding and adapting. We’ll have 25 tables in the marquee at the last event of the Oxford Festival of the Arts in the grounds of Magdalen College School. Oxford OX4 1DZ. The entrance to the grounds will be from the  Plain end of Magdalen Bridge.

The artist Weimin He has spoken and exhibited at the Indie Book Fair.  This is his impression of the view of Magdalen College from the school .

https://artsfestivaloxford.org/ The full programme for the community event  on Sunday July 16 has not yet be finalised. When it has,  full details will be on their website and on  our  website .https://www.oxfordindiebookfair.co.uk

Entry is free & it’s a beautiful site to picnic near the Thames, has a tea tent and children’s activities including  interaction with Waterperry Opera and the Story Museum. Oxib will have a children’s storytelling corner and will organise a poetry slam.

You will meet a wonderful variety of authors, illustrators and publishers .

Sylvia Vetta: Oxib organiser, author, freelance writer and speaker.

2 Ray Foulk: Oxib organiser, green architect and author.

3 Claret Press:  Publisher

4 Oxfordfolio/ Anglepoise Books  : Publisher

5 Oxford ebooks: Publisher.  They will be giving away books if you click on their website on the day.

6 Oxford Children’s Book Group with Bella Pearson

7 Oxford Poetry Library

8 Environmental Oxford: Stanislav Shmelev

9 Elisabeth Hallett: author of Mouse-wolf, a story set in Beijing.

10 Liz Woolley: Local historian

11 Clive Goddard: Humorous award winning children’s  writer

12 Peter Tickler: Crime fiction writer. Peter’s books are set in East Oxford

13 Mario Cuello: OUP book illustrator

14 Dice Comics

15 Emily Gale: Children’s author

16 Fil Reid: Historical fiction

17 Mirjam Vanderven

18 Janet Hancock: Historical fiction

19 Dylan Brenan: fantasy fiction

20 Diana Bell: public artist, poet, author & illustrator of  Nature Unlocked

21The Nasio Trust: Not so Black and White, Green Power the Spirulina Cookbook and library appeal .

22 John Mair: Bitesize books including books set in Jericho & about Morse etc.

23 Stanza Poetry Group

On July 16 we’ll have news of our annual November Fair. We hope  this popular event will be larger in 2023, so we can open it to new exhibitors.

There are lovely walks to  enjoy in the  area. Here is another Oxford painting by Weimin He. It hangs in the Vice Chancellor’s office.

The way to the Marquee

 

 

Food for Thought and Crossing Cultures@ the Nehru Centre

On Wednesday, the London Launch of Food of Love, cooking up a life across gender, class and race was in the Nehru Centre (The Indian High Commission) in Mayfair .

I was assisted by the delightful actor/singer Kamal Khan.  His family saga crosses 4 continents.  Kamal is adept at connecting cultures. He played Tony in West Story for the National Youth Theatre and has played Romeo too.  His performance of this song by Elvis was enthusiastically received by the audience on Wednesday. He is accompanied by tabla and other non-western instruments. https://youtu.be/jnQj_DumSDA

Kamal has the biggest ‘South Asian’ inspired radio station in LA. In Hollywood, he has, unsurprisingly, played lots of medics but he recently had a non-stereotyped lead role in a No 1 Netflix hit. His English accent helped.

http://voyagela.com/interview/meet-kamal-khan-iamkamalkhan-downtown/

Kamal has recorded the audiobook of Sculpting the Elephant and we want to have an international zoom launch at the end of June. He’s brilliant at all the voices, Indian, British and American. Who better to read Gangabharti – the intriguing Bollywood backing singer in the novel!

Retired CEO Karin Stoeker was in the audience & not in the least bit biased! She emailed,

“I wanted you to know I thought you were fabulous!!  Great presentation, and lots of food for thought!’

Attending the launch was the talented Indian artist Bharti Jain. She has an exhibition currently at the High Commission. I love her sensual and elegant paintings and took a pic in front of one of them.

The pic behind Katie Isbester, the Canadian CEO of Claret Press is of the Headington Shark (Oxford). To me it means ‘expect the unexpected’.  Katie also has a transplant story to tell.

   

 

 

 

 

 

My Madras Courier feature on the effects of Braverman’s fear-mongering rhetoric

I’ve been distressed by the fear-mongering in Suella Braverman’s rhetoric with regard to asylum seekers. When the Madras Courier asked me to write on the topic I jumped at the chance. I have pasted the copy below so you don’t need to subscribe to read it. But the MC is not expensive and is an interesting publication.

https://madrascourier.com/opinion/suella-rishis-cruel-immigration-policies-remind-me-of-1960s-racism/

It’s an editor’s prerogative to make the titles.  I don’t believe that Sunak is ‘inept and incompetent’.   He’s stabilised the economy and has been adept handling  the Northern Ireland Protocol.  But his and Braverman’s immigration policy is indeed cruel .  

History Repeating Itself by Sylvia Vetta   

Listening to the fearmongering of British Home Secretary Suella Braverman, supported by Prime Minister Rishi Sunak, I have entered a dismal time warp to distressing experiences back to the 1960s.  

The steel factories of the West Midlands had recruited migrant workers – mainly Punjabis. While teaching their children English, I witnessed the growing poisoning of the atmosphere by self-seeking politicians, and the fear it created in small children.

Smethwick in the Midlands had been a safe Labour seat and the sitting MP, Patrick Gordon Walker, was expected to be the Foreign Secretary should Labour win the 1964 election. Gordon Walker had exiled Seretse Khama for marrying a white woman, the courageous Ruth Williams, so was not the right man to fight a racist campaign. Peter Griffiths became the Tory candidate and, given the Labour candidate of Gordon Walker, knew he would be on to a winner if he campaigned on just one issue: race and immigration.

You couldn’t live or work in the borough without hearing the slogan, If you want a ni**er for a neighbour vote Labour. Don Finney, a Conservative councillor and supporter of Peter Griffiths, was reported saying, ‘I had a wonderful fortnight’s holiday. Did not see a single ni**er!

In 2023, Suella and Rishi make their sentiments equally plain when it comes to asylum seekers risking their lives trying to get here in boats. They would feel happy if they saw no more! I’m sorry to quote those disgusting remarks, including the ‘n’ word, but without them, it is hard to communicate that vicious atmosphere in Smethwick. Unsurprisingly, the vile propaganda provoked violence. Petrol bombs were thrown into an Indian shop. Houses where Indian immigrants lived had windows smashed. These incidents were not condemned by Peter Griffiths. I met my Indian-born husband, Dr Atam Vetta, and was spat upon while walking down the street beside him.

I can quote the racist incidents and the fearmongering which led to them thanks to Dr Dhani Prem. He kept a meticulous record of the events leading up to Griffith’s victory in the 1964 election and privately published The Parliamentary Leper (Colour and British Politics) in 1965 and gave us a signed copy.

Peter Griffiths won than seat and, after the election, Harold Wilson did something unprecedented. He made a speech attacking the new MP. The parliamentary correspondent, Preston Witts, wrote about Harold Wilson,

‘He had a knack of making statements containing phrases that have lived on well beyond his own time, such as the “parliamentary leper”’

On November 4.1964, Atam wrote to me, ‘Who would think of a leper! Wilson has finished Griffiths and this wretched creature will never be able to rise in the Tory Party.’

I was teaching in Handsworth when, on 20 April, 1968, Enoch Powell, used scare stories to demonise minorities and delivered what became known as ‘the rivers of blood speech’.  Here is an extract…

For these dangerous and divisive elements [immigrants, in particular the Sikhs], the legislation proposed in the Race Relations Bill is the very pabulum they need to flourish. Here is the means of showing that the immigrant communities can organise to consolidate their members, to agitate and campaign against their fellow citizens, and to overawe and dominate the rest with the legal weapons which the ignorant and the ill-informed have provided. As I look ahead, I am filled with foreboding; like the Roman, I seem to see “the River Tiber foaming with much blood.”

Within two days that speech affected my class. The children had previously played together in a colour-blind manner. Their innocence was lost, presumably because of what parents said to them, comments on the street and newspaper headlines. I walked into the playground to see the white children at one end and the darker skinned at the other.

Most of my life, I’ve been an optimist rooted in reality. I managed to find hope when Andrew Faulds replaced Gordon Walker as the Labour candidate. A Shakespearean actor, Andrew was a principled man with not a racist bone in his body. Edward Heath became leader of the Conservative Party and refused to have Powell in his cabinet so that Powell left to join the Ulster Unionists. Heath’s stand was not appreciated by many in his party but he too was a principled politician.

As a society we have progressed slowly and I felt that we were heading in the right direction, even if at snail’s pace. Our society has changed. In 2023, both our Prime Minister and Home Secretary are of Indian ancestry and our Foreign Secretary is of African ancestry. Given their origins, you would think they would champion immigrants. Instead, through their fearmongering rhetoric against illegal immigrants, they identify with the attitudes of the narrowest of tribes: the extreme right wing of the Conservative party.

My memoir Food of Love: Cooking Up a Life through Gender, Class and Race has recently been published. The London launch will be on April 26 at6:30pm at the Nehru Centre. When I wrote it, I did not believe our politicians would return to the hate speech that led to the attacks in the sixties. I ended it on a note of hope. Sadly that hope has escaped me. Justified in their eyes by the home secretary’s demonising of the boat people, racists are attacking hotels housing asylum seekers. These refugees have no voice and are already traumatised.

My husband and most South Asian immigrants would not have come to the UK if we had not partitioned India. It was ethnic cleansing on a vast scale. That’s why the immigrants who responded to the offer of jobs in heavy industry in the Midlands were mostly from the divided Punjab.

If we hadn’t invaded Iraq or stayed so long in Afghanistan, the numbers leaving traumatic situations would be far less. We need to assume some of the responsibility for their desperate situations. Given the chance, the British public can be generous and welcoming. Indeed, the Asylum Welcome movement is active almost everywhere in the country. Suella and Rishi, however, do not want us to open our hearts and minds to the desperate.

 

   

I met Atam in Smethwick. Graham Newis on the left told me that Atam wanted to start a multi racial youth club to diffuse prejudice. ‘Would I help?’ I’m second on right .

 

 

 

 

 

 

 

 

 

 

 

 

An exhibition for our time. Qu Leilei and Caroline Deane’ Calligraphy Forest of Misinformation.

I went to London to see Qu Leilei and his partner Caroline Deane’s exhibition Calligraphy Forest of Misinformation. It was a moving experience.  It was originally shown in Milan and is inspired by a phenomenon of our time

The most blatant example of Truth being called False is Donald Trump’s constant calling facts ‘False News’. This lying is not new (See quote from the Red Mansion) but its impact is felt more because of social media.  Leilei and Caroline use calligraphy in ancient styles and highlight distortions of the truth.

This example where I am standing with Leilei is the calligraphy for TRUTH except it is turned upside down.

Caroline and Leilei invited us to write our thoughts. I wrote SAT NAM the Sanskrit word at the heart of Sikhism. It means TRUTH – above all Truth. I quoted Keats ‘Beauty is truth, truth beauty, – that is all ye know on earth, and all ye need to know.  Conversely, denying the truth is ugly because it involves distortion and destruction.

I met Qu Leilei when I reviewed his exhibition at the Ashmolean.  Everyone’s Life is an Epic was to have a life changing effect on me. It led to 5 years of work, interviewing Qu Leilei and other Stars artists, researching visiting China and then writing Brushstrokes in Time.  A desire to tell the untold story of the courageous Stars artist led me to become a novelist. I wanted readers to know what it felt like-  as well as the facts- a way of living the truth.  Here is a short feature by me about the Stars artists and their brief Beijing Spring . It has a trailer to the film and includes Ai Weiwei and Leilei’s voice in English.

Https://www.oxfordindiebookfair.co.uk/oxford-indie-book-fair-magazine/oibf-magazine-issue-5/beijing-spring-1979/

Leilei talking about art

 https://vimeo.com/331185705

In my memoir  Food of Love , I have used this  picture of Caroline and I in Beijing with Leilei’s mother when I was researching for Brushstrokes in Time.

If you want to know more of Leilei’s inspirational story I describe it as 9 lives in this profile feature. Qu Leilei Castaway

My advice, in Food of Love, to Expect the Unexpected was inspired by a shark in roof.

 

In the ‘Appetiser’ to my memoir Food of Love: Cooking up a life across Gender, Class and Race, I include a photograph of an unusual sculpture being placed in a roof in Headington.

I only give  two pieces of advice in my book and one  is inspired by the Headington Shark. That is ‘to expect the unexpected’.

I had the privilege  of casting away, on my imagined island of Oxtopia, both the artist who made it, John Buckley, and the owner of the house, Bill Heine. Bill Heine’s son Marcus now owns it and is in this youtube video describing what happened.

Bill was a presenter on Radio Oxford and was able to invite on guest presenters. He invited me and , several times, asked me to review the papers on a Sunday as well as interviewed me on subjects as diverse as libraries and overseas aid.

One question  was ‘Should Charity begin at home?’ I agreed that charity should BEGIN at home but asserted that it shouldn’t END there. Love should not be corked in a bottle but should  be allowed to expand like a river which grows bigger as it makes its way to the sea. The same with our culture . I don’t believe anyone regrets that our food culture has  changed from the restricted diet of the fifties. We are the richer for being able to taste the world.  I hope the recipes in Food of Love are good examples of that brilliant diversity.

Bill’s castaway choice of object was another John Buckley sculpture titled Embrace  See pic below. Their aim with this sculpture was to put it on the Berlin Wall but that came down. When I saw it,  I suggested they put it on the Belfast Wall and wrote this poem about it.

Embrace by Sylvia Vetta

   

Joined at the hip; you have tasted the apple.

whatever the tension, whatever the pain

Be bound -wrapped around -inseparable.

 

In tender embrace you struggle.

you ask why and how  you became

joined at the hip; you have tasted the apple.

 

From different communities you blame

the other, you fight, you cry, you soften,

you are bound – wrapped around -inseparable.

 

One from the church; the other the chapel.

A fateful kiss and God willing amen

joined at the hip; you have tasted the apple.

 

With distrust and hate you wrestle

as your bindings stiffen.

You are bound – wrapped around – inseparable.

 

Stand upon the wall and be a symbol.

Bask in sun, survive the rain and remain,

joined at the hip; you have tasted the apple.

Be bound – wrapped around – inseparable.

John is a much underestimated artist so I was glad to celebrate him in Oxford Castaways . Here is his storyJohn Buckley

 

Breaking the Barriers of Gender, Class and Race and more

https://www.youtube.com/watch?v=whX1OTtWkpY&t=448s

Following the publication of my memoir Food of Love, cooking up a life across gender, class and race, Catherine Whelan Costen who lives in Calgary, asked to interview me. It gave me the opportunity to share my belief that fossilised, bottled cultures are not desirable. A culture that EXPANDS is thriving. You can put spring water in bottle and cork it or you can let it flow freely and grow into a river and join the sea that touches other continents. I know what I prefer. With food comes love and with love comes hope.

I’m feeling overwhelmed by the wonderful response to Food of Love.  I’ve devised three talks about it. The first is Breaking the Barriers of Gender, Class and Race – the subject of the Old Fire Station launch and these two below.

Some forthcoming talks

January 19:  6-7pm Abingdon Library

https://www.oxfordshire.gov.uk/events/abingdon-author-talk-sylvia-vetta

Topic: Memoir in all its variety and why YOU should record your memories.

 

February 23: 6-7pm

Oxford Central Library: Topic: The importance of food in bringing us together. Why I invented the word ‘Communessence’. With food comes love and with love comes hope.

April 26: 6.30 -7.30pm

The London launch of Food of Love, cooking up a life through gender, class and race is

at The Nehru Centrethe High Commission of India.   https://www.nehrucentre.org.uk/

 

The Fleur Ostojak interview with Sylvia is on BBC Radio Oxford is on the home page

To buy copies of Oxford Castaways 2
Go to
http://www.oxfordfolio.co.uk
and click on the cover image.