Grayson Perry: the Hogarth of 2017? I LOVE Grayson Perry. My first sight of his work was at the Turner Prize in 2003. From a distance his pots were exquisite high glazed and somewhat feminine. Up close there was something
I spent a delightful Saturday revisiting Chiang Yee -the charming artist who was ‘The Silent Traveller in Oxford etc. I first encountered his books when I ran the Jam Factory (1987-1998) and I loved them. After a symposium at the
Writing about art and antiques gave me my first opportunities to write professionally. I reviewed over 300 exhibitions and for 10 years wrote a popular monthly feature on antiques in Oxfordshire Limited Edition. (OLE) This was the first one and
Scroll down for pics. The first launch was in the former Coopers Oxford Marmalade factory which Sylvia and Gill named as ‘The Jam Factory’ when they ran an art and antiques centre there (1987-1998) Some of the dealers came as well
All my fiction and non –fiction and my life has been about breaking down stereotypes. March 6 is the launch of Sculpting the Elephant. At 11 am I’ll be talking on BBC Radio Oxford about the book and particularly about
Tonight I’ll be on a panel @ Oxford Brookes University discussing audio books. Catherine O’Brien the CEO of Essential Audiobooks is over here from New York and will be the principal speaker. I have been asked to give the point
My talented daughter in law Elizabeth Vetta drew the Elephant for the cover of Sculpting the Elephant. Claret Press’s book designer Petya Tsankova made great use of it. I hope you like it as much as I do. I am
Profile of Sylvia Vetta: Antiques Dealer and Author(See some pics below !) Sylvia Vetta spent 22 years organising fairs, markets and centres dealing in art and antiques, and ten years writing, talking and broadcasting on the topic. Her career in
Much of the authentic background detail for the first part of Brushstrokes in Time came through interviewing the artist Qu Leilei. In my second novel to be published early in 2019 the detail is from my own life. It is
Sylvia Vetta Gannet are no longer using freelance contributors so my career as a feature writer and exhibition reviewer has come to an end. Gannet always had good value from me because they syndicated lots of my features. You can