The Shark House is one of Oxford's favourite landmarks . Its mostly associated with the late Bill Heine and the artist who made it is often forgotten. John Buckley is not as celebrated as he should be . Bill
I feel a poem coming on! Only Connect Build bridges not barriers and not barriers to bridges. Build bridges over walls. Build bridges from a narrow mind to a world of potential. Build arcs of energy and empathy.
African soldiers in WW2and how they were thanked - please read this. I was delighted that The Today Programme had a Ghanaian tell the story of the war in Burma. on this anniversary of # VJ Day Not many people
https://www.bbc.co.uk/programmes/m000lbh9 A dramatization of Vikram Seth’s A Suitable Boy starts on BBC1 on Sunday. In Sculpting the Elephant and Not so Black and White I tackle the problem of being a girl. In today’s BBC radio 4 Saturday Live
Ox Magazine is particularly good on art and books. It is filling the gaping hole left by the demise of Oxfordshire Limited Edition. The reason that award winning magazine turned into a vehicle for advertisement features was that all the
https://www.oxfordindiebookfair.co.uk/oxford-indie-book-fair-magazine/oibf-magazine-issue-2-july-2020/ This free magazine supports small publishing companies. We are pleased with its variety. My brother Michael Harry has just published Around The World by Land Sea and Air. ( Oxfordfolio) DO YOU KNOW OF ANYONE ELSE WHO HAS DONE THAT?
https://www.oxmag.co.uk/articles/andldquowhy-did-it-happenandrdquo/?amp Not so Black and White is about transforming lives in London and west Kenya but when Nancy Mudenyo Hunt and I were interviewed by Ox Magazine - the topic of the moment was Rhodes –so I was asked about
I wanted to take my mind off the issues surrounding Black Lives Matter and my latest novel with Nancy Mudenyo Hunt - Not so Black and White. The arrival of the German translation of Brushstrokes in Time has done
https://vimeo.com/123886243 The young people of every colour demonstrating at Black Lives Matter protests made me realise how relevant were our workshops for the Shakespeare in Oxford project. The context - Romeo and Juliet re- imagined in East Oxford . Polly
Are we witnessing a genuine desire to look with open minds at the British Empire ? My life and that of every Brit of all shades of skin colour is affected by its legacy. Raising interest in this history